I Wish I Had Known... About Writing A Cookbook!

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This is the seventeenth post in my series of monthly posts where I speak with people in the creative industries and ask them questions about the things that "I Wish I Had Known" when I started out as a creative myself.

On this post I speak with the fabulous Dina Begum, a Bangladeshi-born/East London-bred food writer about her passion for Bangladeshi food traditions and stories and her book Brick Lane Cookbook, in which she celebrates the diverse cultures and flavours of this much-loved area of London:

1. Where does your love for cooking come from?

My mother. I grew up seeing her prepare delicious meals from scratch almost every single day, using fresh produce. It seemed magical to me that she created feasts out of a few bags of groceries - that made me fall in love with cooking. My extended family are huge foodies and my maternal grandmother is also an amazing cook and this further inspired me, as I spent time with her during school holidays while growing up.

2. How does one go from writing down recipes on a notebook to actually writing a cookbook? Did you ever see yourself as an author?

I wanted to be an author before I even knew what an author was. I remember writing my first poem at the age of eight or nine and receiving a compliment from my teachers. In fact, my writing career began with fiction, poetry and narrative non-fiction including an essay on the shipbreaking trade in Chittagong, Bangladesh. While I loved to cook and write down recipes from a very young age I actually began focusing on food writing about five years ago. The two things I love are words and food, so I decided to combine the two!

3. What challenges did you face when you set yourself to writing the book?

Writing my debut cookbook was a tremendous learning curve for me. I learned how to write and format recipes properly, create delicious sounding yet relevant headnotes to accompany the recipes – which are crucial as they not only describe the dish but give helpful hints and tips. As a Bangladeshi cook, I learned through observing and helping. My mother and grandmother, like the majority of women of those generations never used measures, or wrote things down. It’s a very intuitive way of cooking. This made recipe testing a challenge at first as it was all new for me to measure ingredients exactly and time things. It’s so much easier now!

4. Did you work with a publisher or did you self-publish?

I was lucky enough to find a publisher through a friend who loved my blog and forwarded it to my publisher Kitchen Press. They’re an award-winning independent publisher and specialise in market cookbooks so it was a perfect fit for Brick Lane Cookbook. A blog is a wonderful way to highlight food writing, especially if you’re in the early stages.

5. How difficult is it to promote and sell a book? Where do you sell them?

My book is sold via my publisher and a distributor who deal with the business side of things. There’s also a PR to handle a lot of the promotional side. It’s available on Amazon, Waterstones, Foyles, Oliver Bonas and independent bookshops – one of which is the fabulous Brick Lane Bookshop on Brick Lane. As an author, I also consider it my responsibility to promote the book and I do this via social media posts, where I engage with my audience with regards to cooking and also promote any events I do. I also welcome press and promotional interest and do interviews where possible.

6. It has been said that people publish books nowadays for self-promotion rather than for profit? Is that your case?

I believe writing is a part of me and my life’s main purpose. Since my teens, I’ve published poetry, short fiction and wrote and edited articles for a magazine. This gave me a real sense of what it feels like to write for a living. To me being recognised for writing something interesting and producing good work is key. Self-promotion and profit is, and can be superfluous. Of course, if what you love can help you earn a living that’s a real bonus! My freelance food work is an essential part of my life and I try and connect it to my book as well as long term career goals.

7. Are there any other books in the pipeline?

Nothing concrete at the moment but I am working on a second book with more of a focus on Bangladesh. My book is split into Bangladeshi recipes and other cuisines which reflect the lovely diversity of Brick Lane, but it would be amazing to give Bangladeshi food 100% of my attention for my next project.

8. In your book, you publish recipes from your own kitchen but also from restaurants in Brick Lane. How did you get them to agree for you to publish them for all to see? How did you get their trust in the first place? Were they protective or happy to share their knowledge?

Through sheer power of persuasion and perseverance! Many businesses were easily convinced and keen to include their recipes in my book as they could envision how important it was to document the diversity in the food of Brick Lane. I think people love sharing their food stories. Some were protective of their recipes, especially ones they’d spent years perfecting or family recipes. I totally understood that as these are treasured recipes. I made it clear from the onset that they would be given credit and I would love to share the stories behind their dishes so they were happy to come on board and loved the process of chatting to me and showing me how to cook certain items, which was a real treat.

9. Have you ever worked in a restaurant? Have you thought about opening your own restaurant?

I haven’t worked in a restaurant as such, however, I have worked in them to host supper clubs and pop-ups, most recently at Darjeeling Express, which gave me a little taste of how restaurants operate. I also have some knowledge of them from family members who run their own restaurants. I would love to open some sort of eatery one day serving Bangladeshi food, with my own spin on it.

10. What are your thoughts on cooking robots like the Thermomix? Have you heard about the MIT robot restaurant that just opened in Boston last month?

I’ve literally just googled Thermomix! And to be absolutely honest this kind of cooking has never appealed to me. I’m sure it works for many people and it has its benefits but I just couldn’t imagine cooking this way. I’ve not heard about the robot MIT restaurant and find that very bizarre. I’m an old fashioned cook and not a huge gadgets person either.

11. On the day that we met, you were doing a demo on how to make one of your recipes using what you already have around in your kitchen. Do you try to apply the same concept to all of your recipes?

I believe in zero waste as a basic life philosophy, especially when it comes to food. So I strongly believe in utilising what you have lying around in the fridge or pantry first before buying more groceries. I love to create most of my recipes with that in mind. Use what you have and try and use substitutes. For particular recipes, substitutes don’t work but so many recipes are flexible. It’s all about adaptation.

12. Apart from the book, I know that you have also had your recipes published in many publications and that you host brunches where you share your delicious cooking with your guests. Have you ever considered giving cooking classes?

I love cooking for people and hosting pop-ups and demos. My teaching is currently available on Yodomo.co for whom I’ve filmed a Bangladeshi spice blend and recipe series. However, I’d love to give cooking classes and it’s something that’s on my list of things to do.

13. Where can we find out more about your book and your recipes?

You can find out more about my book and my recipes on my website (which has a recipes blog) and also follow me on Twitter & Instagram @dinasfoodstory to see what I’m cooking and eating and also find out about upcoming events.

This is wonderful, Dina! I really appreciate you sharing with me your tasty recipes and what being a food writer is all about. It is everything that I Wish I Had Known!


If you haven't read the previous posts of this series, you can check the whole series here. I hope you liked this new post and stay tuned for a different creative each month!

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I Wish I Had Known... About Contemporary Poetry!

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This is the sixteenth post in my series of monthly posts where I speak with people in the creative industries and ask them questions about the things that "I Wish I Had Known" when I started out as a creative myself.

Being a big fan of Erin Bolens, you can imagine what an honour it was for me when she agreed to have a chat with me about what it is like being a contemporary poet, about her inspirations and about where in the UK can poetry enthusiasts and fans go to enjoy good poetry:

1. We met in 2017 during your beautiful performance at the Thames Festival's Boat Poets session at the The National Poetry Library and since then you can consider me a huge fan! Why do you think we need poetry?

That's so kind. I think my favourite part of doing this is meeting people along the way, so it's always great to come across those who are curious about poetry.

For me poetry is like a kaleidoscope - it's a small space with such a lot of detail in. Each read of a poem is a bit like shaking the kaleidoscope - you see a different pattern, a different colour and I love that. Poetry is a great shapeshifter and rises to lots of challenges so well. We turn to it both in times of sadness and celebration and I don't think that's ever going to change but I also love it when someone discovers poems that speak to their everyday life.

If it's something you relate to then it's a mirror that makes your perspective feel seen and if it's something you have never thought of then it's like seeing a new view or a door opening on a sight you weren't expecting. I love both.

2. How does one become a poet? Is it something that you study for or is it a talent that you are born with?

I think the habit and love of writing regularly is something some people develop very early on of their own accord and you can definitely create some brilliant poetry that way. You certainly don't have to study poetry in the formal sense to be a poet but listening to and reading a broad range of writing will definitely help to keep you experimenting and will fuel a useful curiosity about how words can be used.

3. What are the career opportunities for poets today?

I think this is a really exciting time for poetry. Perhaps it always feels like that when you are immersed in a particular world, but I do think there is an increasing number of spaces and platforms for readers and writers of poetry which is very exciting.

There isn't one thing that makes it possible for writing to be my job. I have worked with children since I was a teenager so doing that through poetry was a natural step for me and I really love it but it isn't for everyone. I do a mix of teaching, performing and writing commissions both for individuals, events or companies and organisations.

4. Do you remember a time before writing poetry?

Um not really. However, I don't think I would ever have called it poetry until much later on because for a long time I saw poetry as a very structured, quite old fashioned thing. For me, it was dictated by rules and it took a long time for me to discover how fluid and varied and expansive that label can be. That's not to say those structures can't be exciting but they're definitely not the only definition of poetry.

5. How has poetry changed your life?

Oh massively. It's always sort of been there because I've written for ages but I think discovering the world of performed poetry was pretty life-changing for me. I've always enjoyed stories and talking with other people and this combined the two for me.

I have a background in acting and at that time I found the autonomy of being able to write something true and perform it yourself really liberating. It became my favourite thing to do very quickly.

Aside from it being my work, just writing for myself is something that I get a lot of benefits from. It helps me to clarify my thoughts and feelings and is just a big source of calm and joy for me. Also frustration of course, but it's the positives that are always heavier.

6. Who inspires you?

This is a really tricky one and something I'm always adding to. For me, it's a big old melting pot that includes brilliant people from history to people I've met once at a bus stop who tell me something which changes my way of thinking or encourages me to do something.

I regularly work with The Poetry Takeaway which is a mobile space where Poets chat to people and turn those conversations into poems which are taken away and often treasured for a long time. It's a really beautiful thing and last year I wrote for a brilliant woman called Enid. She is one of the biggest poetry fans I have ever met and since then we have become friends. She has given me such incredibly kind and well thought out encouragement and advice. Recently, she told me not to deny myself any pleasure and not to over analyse poems.

For that and many other reasons, I would say she definitely inspires me.

7. When most people think about poetry, they think of the classics. But, like you, there are many contemporary poets out there that are equally as good as the classics, if not better. Do you have any contemporary poetry heroes or sheroes?

Yeah definitely. So many poets I admire and know are constantly reshaping my understanding of poetry and how it can be used.

  • Hollie McNish is a modern poetry Goddess and played a big part in me not feeling embarrassed to use rhyme if I wanted to.

  • Caleb Femi was the first Young People's Laureate for London and does incredible work with poetry in film.

  • Vanessa Kissule is doing brilliant things as the first City Poet for Bristol.

  • Toby Campion is one of my absolute favourite writers, performers and people and keeps everyone on their toes with how brilliant each new piece of work is.

  • Harry Baker is one of the most joyous poets and people ever. His love of playing around with words is so infectious and is always my go-to cynicism antidote.

8. Prose or verse? Or both?

Oh, both. Everything, all of it. Like with music, I think there are space and time for all ways of making and presenting any form or style of writing. I don't think it is possible for the existence of one to dilute another. You can have favourites of course, and for me, they change all the time, but I don't think anything is ever unworthy just because it doesn't speak to me today.

9. You contribute to shaping the young generation of poets through your workshops and your involvement in programmes like the Boat Poets residency. How can aspiring poets take part in these activities?

Projects like Boat Poets have been such a big part of my writing and life. They provide time, support and connections which expand your opportunities, help your confidence to grow and your work to develop and to be influenced by things other than your immediate thoughts and surroundings.

There are absolutely loads and I'll probably remember the best tomorrow but here are a few that I have taken part in or that I know have been a big part of the journeys of writers I know.

  • The Roundhouse in London. If you are under 26 you can enter their slam (usually takes place in early summer each year), apply for their poetry collective or to be a resident artist.

  • Apples and Snakes - they regularly put on brilliant workshops across and master classes for all ages and levels of experience across the UK. Their project 'The Writing Room' is another excellent collective based writing course.

  • SLAMbassadors - The Poetry Society's national youth poetry slam championships for 13-18-year-olds.

  • UNIslam - annual poetry slam bringing together teams from universities across the UK for a mixture of workshops and performances.

  • Barbican Young Poets - annual poetry course for young writers at the Barbican Centre in London.

10. Where can people find out about your schedule and performances?

I keep up most things on erinbolens.com

Thank you so much, Erin, it’s been a pleasure speaking with you and learning about what being a poet is all about. It is everything that I Wish I Had Known!


If you haven't read the previous posts of this series, you can check the whole series here. I hope you liked this new post and stay tuned for a different creative each month!

Do you like what you just read? Subscribe to my weekly blog posts here!